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Rooshad Shroff’s balancing act – The Hindu

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Rooshad Shroff’s latest collection, Balance, wasn’t meant to be one at all. “When we began with a single piece, a side table, back in 2021, it was a simple exploration of form,” says the Mumbai-based architect and designer, for whom working with furniture is more of an exercise to test ideas and crafts, than an endeavour to come up with a complete collection. “But I always had Balance on my mind; I knew it had potential to grow into something larger.”

Rooshad Shroff

Rooshad Shroff
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And grow it did, into a collection that spans across three distinct but bound-by-narrative sections at Shroff’s ongoing exhibition at IF.BE in Mumbai — his first large format solo since his debut outing, 15,556. Shroff doesn’t call out the number of hours that go into the making of his pieces (like he did with the title of his debut show) since he thinks the practice is commonplace now. But he’s more than happy to discuss it with eager visitors at his show. For example, the nearly 4,000 hours invested in the making of his hand-embroidered carpets that adorn the second and third rooms of his showcase.

Designs from Balance, at IF.BE Mumbai.

Designs from Balance, at IF.BE Mumbai.
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Creating a meditative space

Apart from the pieces themselves (with a starting price of ₹50,000), Shroff also draws attention to the scenography of his exhibition. The venue — an ice factory in Ballard Estate, with a banyan tree at the centre and an overall rustic appeal — adds to his vision of presenting his work in a way that’s closest to how things are found in nature.

At IF.BE Mumbai.

At IF.BE Mumbai.
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With furniture on display in all three rooms, the first has more of the gravel islands that span throughout the venue, presenting itself as a Zen garden almost, complete with mirrors doubling up as water puddles so that visitors can view the underbelly of the pieces on display.

Speaking about the designs in his collection, Shroff says, “They appear unstable but are strong enough to hold ground as standalone pieces.” These include iterations of his 2021 side table, which was representative of pebbles stacked up on each other, a coffee table (the designer’s most challenging piece, technically speaking), a console (which he calls his visual hero piece in this collection), a dining table, a bar cabinet and a credenza, among others. The second room features four 30-ft-high panels — large trees embroidered on organza curtains, which took over 4,500 hours to put together, while the third is like an arid landscape, complete with large cacti. A curated playlist featuring the likes of birdsong, flute, and Tibetan bells fills all three rooms, creating, what Shroff calls, “a meditative space”.

Utility is far from the sole factor defining the collection. Luxury competes, and Shroff’s choice of mediums (white, green and pink onyx, semi-precious red jasper, and lapis lazuli, to name a few) testify to this. “We’ve made a niche for ourselves in the uber luxury segment, and so we wanted to ensure the materials we work with reflect that as well. While our sofas and chairs are available in regular fabric too, they are upholstered in 100% cashmere,” explains the 43-year-old, touching upon his foray into upholstered pieces, created in collaboration with Gurgaon-based interior design firm, DeMuro Das.

Tech will sustain craft

Upholstered pieces aren’t the only first Balance marks for Shroff. It’s also the first time he has worked with metal — the console has a bronze base, for instance. Tech makes its debut as well. While he asserts that craft continues to be the backbone of everything they do and stand for, it will not survive without the undeniable influence of technology. “With Balance, we’ve used tech like 3D printing and 3D scanning to get better precision. It allows the pieces, especially where we’ve used metal and stone, to stand by themselves,” he explains.

Allowing tech to aid the process is by no means digressing from the craft, he states. It’s simply a tool that “allows us to prioritise quality”, stay true to craft and adapt to changing time. “It’s the only way in which craft can be sustained, revived. Just because certain things were done in a certain way in the past, it doesn’t mean it can’t be aided with new technology,” says Shroff, who’s also been researching tarkashi (a form of metal inlay in wood) for the past two years.

As for Balance, while some pieces may find a spot in a gallery in Mumbai, the rest will be listed on the designer’s website.

Catch Balance at IF.BE Mumbai till October 12.

Published – October 10, 2024 02:55 pm IST

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Home & Garden

Co-living spaces: what young professionals want

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The housing landscape has witnessed a paradigm shift due to the advent of fully managed rental accommodations and co-living spaces. This revolutionary concept is growing popular among millennials and Gen Z by offering a seamless, reliable, hassle-free living experience that resonates with their dynamic and modern lifestyles. Co-living players these days are leveraging technology to provide a customised rental experience. Reputable businesses oversee these spaces, ensuring end-to-end stay management and rent control, eliminating typical leasing hassles.

Always on the move

Regarding typical leasing hassles, today’s uber-digital generation places immense value on mobility. Reports indicate that millennials in India tend to stay in one city for approximately six months to two years before moving to new opportunities or experiences​​​. This high mobility is supported by the rise of co-living spaces that offer flexible lease terms, allowing millennials the freedom to move without long-term commitments.

Migratory millennials, who form 42% of India’s working population, are increasingly drawn to dynamic urban hubs such as Gurugram, Bengaluru, Hyderabad and Chennai, where career opportunities, cultural diversity, and vibrant social scenes abound. Recognising the diversity of the demand due to this gig economy, co-living spaces in these cities cater to various budget segments, from economical shared rooms priced around ₹20,000-₹25,000 per month to premium private studios costing up to ₹45,000 or more, depending on the location and amenities provided​​.

Furnished accommodation

With rising income stability and higher purchasing power, youth in metropolitan cities like Bengaluru and Gurugram lean towards high-quality, premium accommodations. As per a report, 51% of millennials in India are willing to spend more than 25% of their income on fully furnished and managed living spaces for a hassle-free lifestyle. In addition to convenience, these spaces promote a holistic lifestyle experience with opportunities to network with like-minded individuals through bespoke breakout zones such as in-house gyms, gaming zones, theatre rooms, and regular community events. This sense of community helps alleviate urban loneliness for migrating millennials and provides a true sense of home away from home.

For a tech-savvy generation

Tech integration is another compelling feature of co-living spaces that attracts today’s tech-savvy generation. From online booking and virtual tours to digital rent payments and maintenance requests, technology simplifies the renting process. Moreover, top-notch co-living players offer luxury features in their properties, including daily housekeeping, doorstep laundry, app-enabled living, 3-tier security, gourmet meals, concierge services, and high-speed Wi-Fi. With all these hotel-like facilities combined with the comfort of home, co-living properties are a perfect option.

According to JLL India’s report, over the next five years, the co-living sector is anticipated to grow at a compound annual growth rate of 17% to about ₹1 trillion. One must note that this shift is not just a fleeting trend but a substantial reimagining of urban living.

The writer is Co-founder and CEO, Housr.

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Emerging design brands to track

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Over the last few months, we have been seeing international design trends mirror Indian concerns for upcycling and a focus on neutral, natural colours. Globally too, stone, especially marble is a favourite for its colour and textures, and it is often used in different ways — to create craft-forward pieces and monolithic forms.

In India, design studios have been using artisanal knowledge to create intricate inlays. Much of this was reflected at the recently concluded AD Design Show at the Karigar Pavilion, Mumbai, where Architectural Digest magazine had invited industry stars such as Vikas Soni, known for painting the interiors of Villa Palladio in Jaipur and Sonam Kapoor’s house in Mumbai. There were weavers from Kani Shawl Heritage, who set up a loom to fashion pashmina specimens in front of a curious audience.

But one of the popular showcases was an edit of 43 designers who work with different mediums, ranging from textiles and painting to metal work and pottery. Called ‘AD Discoveries’, it was spread across four rooms, and curated by interior stylist Samir Wadekar.

Komal Sharma, head of editorial content for AD notes, “The idea of discoveries was literally born from a section in the magazine called AD Discoveries, which has smaller stories about emerging brands, design news, and new launches.”

Wadekar was helped by an advisory board that consisted of B.V. Doshi’s granddaughter Khushnu Panthaki Hoof; co-founders of Kolkata-based gallery Experimenter, Prateek and Priyanka Raja; co-founders of Humming Tree, Arun Shekhar and Mohammed Afnan; interior designer Rajeev Saini; and Nisha Mathew Ghosh of architecture firm Mathew and Ghosh.

He notes, “For me, it was not about having the most recent pieces, but about showcasing what the brand is about or the brand’s aesthetic, or showing something that I thought people would find interesting.” Besides reaching out to designers (he credits Panthaki Hoof with being invaluable for her insights into Ahmedabad’s design scene and its textile artists), he also worked with some young brands such as Gradient India, Shed, Julia and Sita, and Studio Medium to commission custom works that he used to design four distinctive rooms. Hoof adds that she was keen to promote people who wouldn’t otherwise get a chance.

The challenge, Wadekar notes, was to create varied displays, which he managed by changing flooring, wall colours and displaying the work thematically.

We highlight five designers to have on your radar:

Araish Jaipur

Founded by Shivani Jadeja and Priyamvada Golcha, Araish Jaipur brings the traditional Rajasthani lime plaster technique to objects like vases and candles.

Shivani Jadeja and Priyamvada Golcha of Araish Jaipur

Shivani Jadeja and Priyamvada Golcha of Araish Jaipur
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It’s no surprise that the production is in Jaipur and most of their designs are produced on order. Using natural dyes — such as palash flowers for yellow — they’ve honed a product list that’s easy to transport, given that most of their clientele are abroad. Products can be bought from their studio in Jaipur.

Gaurav Kanjerla, head of sales, explains that Golcha has always had craftsmen working to restore the 300-year-old home she resides in. Over three years of R&D, the duo has learned to take the lime plaster technique onto household articles.

Eikowa Studio

The journey from a gallery — and displaying others’ work — to creating her own, has been a fulfilling one for founder and creative head Vaishnavi Murali.

Vaishnavi Murali of Eikowa Studio

Vaishnavi Murali of Eikowa Studio
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While she displayed a handmade brass-covered cupboard at the AD Design Show, Murali also works with concrete, paper, aluminium and other materials.

The studio was born out of necessity, creating customised artworks for the hotels and offices she consulted with. In the years since, she’s found that she has “passion in this space, and I got introduced to the world of craft that India has”. As a result, Eikowa now sees itself taking on a dual role, of promoting Indian artists, but also Indian crafts — across terracotta, ceramics, metalwork and more. They can be reached via Instagram @eikowa_studio

InOrdinary

Priyansha Jain, founder and creative director, states, “At InOrdinary, I’m interested in promoting functional art, which are one-of-a-kind functional objects.” She goes on, “We spend so much time with functional objects, so to find beauty in it and find meaning in it, seems like a good idea.”

Priyansha Jain of InOrdinary

Priyansha Jain of InOrdinary
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The daily display at the design show changed because, as Jain says, “It presented the nature of InOrdinary and finding new objects in the everyday.” So over three days, the brand showcased everything from cups and candles, to placemats and trays.

Working with some of India’s most interesting designers, InOrdinary encourages them to rethink each object.

inordinary.in

Studio Medium

Panthaki Hoof highlights this New Delhi-based textile brand as one that she was excited to introduce to the AD audience. Studio Medium was founded by Riddhi Jain, an NID graduate who works in apparel and home textiles.

Riddhi Jain of Studio Medium

Riddhi Jain of Studio Medium
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Alongside weavers, she takes traditional techniques and give them a contemporary design sense.

Detail on ‘The Saree’

Detail on ‘The Saree’
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‘The Saree’

‘The Saree’
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For the show, she created a custom tapestry, titled ‘The Saree’, a triptych made up of three interconnected pieces — skirt, pleat and pallav. The work aims to translate a 3D garment into a flat 2D form and like a saree, is about 5.5m long.

studiomedium.in

Studio Avni

Avni Sejpal, a trained architect, started her studio in 2011. In the years since she’s displayed at London Design Week and SaloneSatellite.

Avni Sejpal of Studio Avni

Avni Sejpal of Studio Avni
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Studio Avni

The tables on display at the show made use of cork and rubber that was originally in her workshop “for anti-vibration and insulation purposes”, to create a series of designs across tables, lamps and even vases, which are available online at studioavni.com.

Sejpal notes, “Cork is sustainable, and the material in the studio was already recycled,” and she was using it differently once again. Currently, she’s working with an array of materials such as metal mesh, PVC, concrete and textiles.

The writer is based in Mumbai.

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Sustainable cooling tips – The Hindu

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Many parts across the country witnessed high temperatures during summer. A survey conducted in 10 Indian cities around that time revealed a spike in AC usage in Indian homes. About 70% claimed that the number of ACs installed in their homes had gone up in the last two years.

The appliance industry cheered the historic 50%+ growth. With AC penetration hovering around a meagre 10% in India, the growth story is expected to continue. The work done on electrification across the breadth and width of the country is ensuring that consumers can opt for solutions that enhance their quality of life.

The flip side of all this, however, is that ACs are energy guzzlers. In the same survey, 90% agreed that their energy bills had shot up over the last two years, and half of them confirmed that the summer bills are double their average energy bills. Estimates suggest that over 10% of India’s electricity demand is for cooling appliances, which is likely to increase manifold. In fact, reports suggest that India’s demand for electricity for running household air conditioners is estimated to expand nine-fold by 2050 — exceeding the total power consumption in the whole of Africa.

The only solution therefore is to adopt more energy-efficient cooling solutions. Home appliances with inverter technology and higher energy rating help reduce the overall power consumption thereby benefiting consumers as well as the environment at large. For example, using a 5-Star rated air conditioner instead of a 3-Star rated one can reduce annual power consumption substantially, saving over 25% in running costs for a 1.5 TR AC. The case for energy efficiency applies beyond ACs across other appliances as well. A 5-Star rated refrigerator can save over 45% in energy costs compared to its 2-Star counterpart.

Apart from adoption of higher star rated products, consumers would also do well by paying heed to the maintenance of their appliances. Regular servicing is seen to have a direct bearing on energy consumption. The survey revealed that 65% households use at least one AC which has not been serviced for more than a year. More than a fourth claim to service their ACs only if they face a problem with it.

To maximise the benefits of these energy-efficient appliances, consumers are well advised to follow the product usage instructions provided by brands and ensure its regular maintenance and servicing by authorised service providers. Periodic maintenance not only helps maintain the efficiency of the appliances, but also maximises its performance and prevents unforeseen breakdown incidents. Beyond this, simple practices, such as keeping doors closed and curtains drawn while using an AC, setting it at a comfortable 24 degrees instead of lower temperatures, using relevant features like the economy modes, sleep modes, timers etc. can make a significant difference.

The writer is Business head and Executive vice-president, Godrej Appliances.

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