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Lladró | 25 years of Spirit of India and a new immersive new store in Delhi

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Lladró’s 25th anniversary in India coincides with the opening of their ninth boutique in the country.This new space is at New Delhi’s The Chanakya, known to house other luxury brands such as Hermès, Tiffany & Co. and Ravissant. And as with other Lladró addresses around the world, this too is a phantasmagorical world of porcelain, where innovation and imagination have catapulted a 12th century material to brave new heights.

Meet the icons

At this Mediterranean-style 600 sq. ft. boutique designed by Puerto Rican architect Héctor Ruiz-Velázquez, meet Haute École, a glistening white purebred horse with sinewy muscles rearing forth under an exquisite Seasons chandelier with dozens of blue and white elements in porcelain and crystal. On a wall display are multiple versions of The Guest — a whimsical character by Spanish artist and designer Jaime Hayon — now a beloved icon of modern porcelain. While entry-level fragrance candles start at ₹6,000, a Lladró handcrafted object can cost crores of rupees.

Ever since three brothers in the Spanish village of Almàssera began their uncharted journey in 1953 to reimagine handcrafted porcelain, Lladró has captivated audiences worldwide. Creative director Nieves Contreras says, “The creation of a Lladró piece is a highly artisanal and time-intensive process. Anywhere from five to over 100 moulds may be required depending on the complexity of the piece.” While single-firing has replaced triple, and their palette is expansive with 4,000 shades, the real “porcelain revolution” has been about forging new paths to stay relevant, says Rushil Kapoor, marketing and PR manager at Lladró India.

Firefly lamps.

Firefly lamps.
| Photo Credit:
Lladró 

The magic of India

Lladró’s organised entry into India as a joint venture, Spa Lifestyle Pvt Ltd., paved the way for good fortunes. India is Lladró’s third largest market. In its 70th year, its second-largest store globally was launched on MG Road in New Delhi.

2025 is also the 25th anniversary of the Spirit of India, fashioned after Hindu traditions. Ana Rodríguez Nogueiras, global CEO of Lladró, says, “Each creation aims to become a meaningful link between Spanish artistry and India’s rich cultural and spiritual traditions.” The fan following for their intricate figurines — Ram, Sita, Hanuman, the Mudras, Sai Baba and Goddess Lakshmi — is spread across the Indian diaspora in the U.S., U.K., Canada, Hong Kong and Singapore.

In India, Lladró loyalty goes back many generations. Take entrepreneur and art collector Pinky Reddy for instance, an avowed patron who bought a Lord Balaji figurine and had been to the Valencia factory when she was just 13. With the genial Lord Ganesha in many poses equally popular amongst westerners, Lladró’s Indian footprint is firmly established. “Revenue from India contributes to 13% of Lladró’s global revenue, of which 38% comes from Spirit of India,” says Nikhil Lamba, CEO Lladró India.

Soul Rider by Valencian artist Dulk.

Soul Rider by Valencian artist Dulk.
| Photo Credit:
Lladró 

An eye on sustainability

Sustainability requires not just innovative adaptation for the times, but also future foresight, along with a deep concern for the planet’s ecosystems. Lladró embodies all three. The three elements of porcelain have remained constant — kaolinite, quartz and feldspar — and so has Lladró’s ideal: to make collectables of lasting emotive significance. While classics are still a staple, designer-led aesthetics have captured the market. Lamba says, “Earlier, patrons bought classic glazed sculptures with florals and subtle colours. Now, they prefer contemporary and playful designs in bold, striking colours.”

Contreras, who has purposefully steered global trends, says, “Achieving perfection in porcelain is always a demanding task, no matter the size or type of piece. One of the main challenges is its unpredictability — it behaves almost like a living material.” Lladró’s creative collaborations such as Ephemeral Treasures, with renowned Valencian artist Dulk’s portrayal of fantastical animals, raises awareness about the beauty of nature, acting as a reminder of the planet’s fragility.

Let there be light

In 2013, Lladró expanded into lighting. The Chanakya boutique is showcasing a wide range, including chandeliers, table and floor lamps, pendants, and wireless lamps. You can find the classic Ivy & Seed chandelier in white, as well as the 2022 NYC x Design Awards winner in the chandelier category — the Seasons Chandelier (Winter) in cool blue hues. The portable wireless Firefly Lamp is the proven star of the show, lending its glow to tablescapes, verandas, desk tops, and gifting. Contreras says, “You can now customise your lamp at the Firefly Bar in the new boutique, putting together elements of your choice and colour.” And you can take it home in a month, after it’s made in the City of Porcelain in Tavernes Blanques, Lladró’s only production factory in the world.

The writer is a brand strategist with a background in design from SAIC and NID.

Published – June 20, 2025 06:00 pm IST

Home & Garden

Co-living spaces: what young professionals want

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The housing landscape has witnessed a paradigm shift due to the advent of fully managed rental accommodations and co-living spaces. This revolutionary concept is growing popular among millennials and Gen Z by offering a seamless, reliable, hassle-free living experience that resonates with their dynamic and modern lifestyles. Co-living players these days are leveraging technology to provide a customised rental experience. Reputable businesses oversee these spaces, ensuring end-to-end stay management and rent control, eliminating typical leasing hassles.

Always on the move

Regarding typical leasing hassles, today’s uber-digital generation places immense value on mobility. Reports indicate that millennials in India tend to stay in one city for approximately six months to two years before moving to new opportunities or experiences​​​. This high mobility is supported by the rise of co-living spaces that offer flexible lease terms, allowing millennials the freedom to move without long-term commitments.

Migratory millennials, who form 42% of India’s working population, are increasingly drawn to dynamic urban hubs such as Gurugram, Bengaluru, Hyderabad and Chennai, where career opportunities, cultural diversity, and vibrant social scenes abound. Recognising the diversity of the demand due to this gig economy, co-living spaces in these cities cater to various budget segments, from economical shared rooms priced around ₹20,000-₹25,000 per month to premium private studios costing up to ₹45,000 or more, depending on the location and amenities provided​​.

Furnished accommodation

With rising income stability and higher purchasing power, youth in metropolitan cities like Bengaluru and Gurugram lean towards high-quality, premium accommodations. As per a report, 51% of millennials in India are willing to spend more than 25% of their income on fully furnished and managed living spaces for a hassle-free lifestyle. In addition to convenience, these spaces promote a holistic lifestyle experience with opportunities to network with like-minded individuals through bespoke breakout zones such as in-house gyms, gaming zones, theatre rooms, and regular community events. This sense of community helps alleviate urban loneliness for migrating millennials and provides a true sense of home away from home.

For a tech-savvy generation

Tech integration is another compelling feature of co-living spaces that attracts today’s tech-savvy generation. From online booking and virtual tours to digital rent payments and maintenance requests, technology simplifies the renting process. Moreover, top-notch co-living players offer luxury features in their properties, including daily housekeeping, doorstep laundry, app-enabled living, 3-tier security, gourmet meals, concierge services, and high-speed Wi-Fi. With all these hotel-like facilities combined with the comfort of home, co-living properties are a perfect option.

According to JLL India’s report, over the next five years, the co-living sector is anticipated to grow at a compound annual growth rate of 17% to about ₹1 trillion. One must note that this shift is not just a fleeting trend but a substantial reimagining of urban living.

The writer is Co-founder and CEO, Housr.

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Emerging design brands to track

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Over the last few months, we have been seeing international design trends mirror Indian concerns for upcycling and a focus on neutral, natural colours. Globally too, stone, especially marble is a favourite for its colour and textures, and it is often used in different ways — to create craft-forward pieces and monolithic forms.

In India, design studios have been using artisanal knowledge to create intricate inlays. Much of this was reflected at the recently concluded AD Design Show at the Karigar Pavilion, Mumbai, where Architectural Digest magazine had invited industry stars such as Vikas Soni, known for painting the interiors of Villa Palladio in Jaipur and Sonam Kapoor’s house in Mumbai. There were weavers from Kani Shawl Heritage, who set up a loom to fashion pashmina specimens in front of a curious audience.

But one of the popular showcases was an edit of 43 designers who work with different mediums, ranging from textiles and painting to metal work and pottery. Called ‘AD Discoveries’, it was spread across four rooms, and curated by interior stylist Samir Wadekar.

Komal Sharma, head of editorial content for AD notes, “The idea of discoveries was literally born from a section in the magazine called AD Discoveries, which has smaller stories about emerging brands, design news, and new launches.”

Wadekar was helped by an advisory board that consisted of B.V. Doshi’s granddaughter Khushnu Panthaki Hoof; co-founders of Kolkata-based gallery Experimenter, Prateek and Priyanka Raja; co-founders of Humming Tree, Arun Shekhar and Mohammed Afnan; interior designer Rajeev Saini; and Nisha Mathew Ghosh of architecture firm Mathew and Ghosh.

He notes, “For me, it was not about having the most recent pieces, but about showcasing what the brand is about or the brand’s aesthetic, or showing something that I thought people would find interesting.” Besides reaching out to designers (he credits Panthaki Hoof with being invaluable for her insights into Ahmedabad’s design scene and its textile artists), he also worked with some young brands such as Gradient India, Shed, Julia and Sita, and Studio Medium to commission custom works that he used to design four distinctive rooms. Hoof adds that she was keen to promote people who wouldn’t otherwise get a chance.

The challenge, Wadekar notes, was to create varied displays, which he managed by changing flooring, wall colours and displaying the work thematically.

We highlight five designers to have on your radar:

Araish Jaipur

Founded by Shivani Jadeja and Priyamvada Golcha, Araish Jaipur brings the traditional Rajasthani lime plaster technique to objects like vases and candles.

Shivani Jadeja and Priyamvada Golcha of Araish Jaipur

Shivani Jadeja and Priyamvada Golcha of Araish Jaipur
| Photo Credit:
Special arrangement

It’s no surprise that the production is in Jaipur and most of their designs are produced on order. Using natural dyes — such as palash flowers for yellow — they’ve honed a product list that’s easy to transport, given that most of their clientele are abroad. Products can be bought from their studio in Jaipur.

Gaurav Kanjerla, head of sales, explains that Golcha has always had craftsmen working to restore the 300-year-old home she resides in. Over three years of R&D, the duo has learned to take the lime plaster technique onto household articles.

Eikowa Studio

The journey from a gallery — and displaying others’ work — to creating her own, has been a fulfilling one for founder and creative head Vaishnavi Murali.

Vaishnavi Murali of Eikowa Studio

Vaishnavi Murali of Eikowa Studio
| Photo Credit:
Special arrangement

While she displayed a handmade brass-covered cupboard at the AD Design Show, Murali also works with concrete, paper, aluminium and other materials.

The studio was born out of necessity, creating customised artworks for the hotels and offices she consulted with. In the years since, she’s found that she has “passion in this space, and I got introduced to the world of craft that India has”. As a result, Eikowa now sees itself taking on a dual role, of promoting Indian artists, but also Indian crafts — across terracotta, ceramics, metalwork and more. They can be reached via Instagram @eikowa_studio

InOrdinary

Priyansha Jain, founder and creative director, states, “At InOrdinary, I’m interested in promoting functional art, which are one-of-a-kind functional objects.” She goes on, “We spend so much time with functional objects, so to find beauty in it and find meaning in it, seems like a good idea.”

Priyansha Jain of InOrdinary

Priyansha Jain of InOrdinary
| Photo Credit:
Special arrangement

The daily display at the design show changed because, as Jain says, “It presented the nature of InOrdinary and finding new objects in the everyday.” So over three days, the brand showcased everything from cups and candles, to placemats and trays.

Working with some of India’s most interesting designers, InOrdinary encourages them to rethink each object.

inordinary.in

Studio Medium

Panthaki Hoof highlights this New Delhi-based textile brand as one that she was excited to introduce to the AD audience. Studio Medium was founded by Riddhi Jain, an NID graduate who works in apparel and home textiles.

Riddhi Jain of Studio Medium

Riddhi Jain of Studio Medium
| Photo Credit:
Special arrangement

Alongside weavers, she takes traditional techniques and give them a contemporary design sense.

Detail on ‘The Saree’

Detail on ‘The Saree’
| Photo Credit:
Special arrangement

‘The Saree’

‘The Saree’
| Photo Credit:
Special arrangement

For the show, she created a custom tapestry, titled ‘The Saree’, a triptych made up of three interconnected pieces — skirt, pleat and pallav. The work aims to translate a 3D garment into a flat 2D form and like a saree, is about 5.5m long.

studiomedium.in

Studio Avni

Avni Sejpal, a trained architect, started her studio in 2011. In the years since she’s displayed at London Design Week and SaloneSatellite.

Avni Sejpal of Studio Avni

Avni Sejpal of Studio Avni
| Photo Credit:
Studio Avni

The tables on display at the show made use of cork and rubber that was originally in her workshop “for anti-vibration and insulation purposes”, to create a series of designs across tables, lamps and even vases, which are available online at studioavni.com.

Sejpal notes, “Cork is sustainable, and the material in the studio was already recycled,” and she was using it differently once again. Currently, she’s working with an array of materials such as metal mesh, PVC, concrete and textiles.

The writer is based in Mumbai.

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Sustainable cooling tips – The Hindu

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Many parts across the country witnessed high temperatures during summer. A survey conducted in 10 Indian cities around that time revealed a spike in AC usage in Indian homes. About 70% claimed that the number of ACs installed in their homes had gone up in the last two years.

The appliance industry cheered the historic 50%+ growth. With AC penetration hovering around a meagre 10% in India, the growth story is expected to continue. The work done on electrification across the breadth and width of the country is ensuring that consumers can opt for solutions that enhance their quality of life.

The flip side of all this, however, is that ACs are energy guzzlers. In the same survey, 90% agreed that their energy bills had shot up over the last two years, and half of them confirmed that the summer bills are double their average energy bills. Estimates suggest that over 10% of India’s electricity demand is for cooling appliances, which is likely to increase manifold. In fact, reports suggest that India’s demand for electricity for running household air conditioners is estimated to expand nine-fold by 2050 — exceeding the total power consumption in the whole of Africa.

The only solution therefore is to adopt more energy-efficient cooling solutions. Home appliances with inverter technology and higher energy rating help reduce the overall power consumption thereby benefiting consumers as well as the environment at large. For example, using a 5-Star rated air conditioner instead of a 3-Star rated one can reduce annual power consumption substantially, saving over 25% in running costs for a 1.5 TR AC. The case for energy efficiency applies beyond ACs across other appliances as well. A 5-Star rated refrigerator can save over 45% in energy costs compared to its 2-Star counterpart.

Apart from adoption of higher star rated products, consumers would also do well by paying heed to the maintenance of their appliances. Regular servicing is seen to have a direct bearing on energy consumption. The survey revealed that 65% households use at least one AC which has not been serviced for more than a year. More than a fourth claim to service their ACs only if they face a problem with it.

To maximise the benefits of these energy-efficient appliances, consumers are well advised to follow the product usage instructions provided by brands and ensure its regular maintenance and servicing by authorised service providers. Periodic maintenance not only helps maintain the efficiency of the appliances, but also maximises its performance and prevents unforeseen breakdown incidents. Beyond this, simple practices, such as keeping doors closed and curtains drawn while using an AC, setting it at a comfortable 24 degrees instead of lower temperatures, using relevant features like the economy modes, sleep modes, timers etc. can make a significant difference.

The writer is Business head and Executive vice-president, Godrej Appliances.

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