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Heritage as climate strategy: how India’s old towns hold the key to resilient cities

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A walk through the medieval streets of Mylapore, George Town, or Karaikudi reveals a lost history, where abandoned houses and institutions, built over a hundred years ago, now stand in disrepair. A reimagination of heritage cities by planning authorities, in collaboration with civic society, could rejuvenate these derelict neighbourhoods.

While newfound mobility and technology resulted in mega-cities with metros and automobiles, the medieval town, at its core, was often abandoned or subjected to densities far greater than it could absorb. Recognising this predicament, the First Master Plan of Chennai moved the inner-city markets and transport hubs to Koyambedu to decongest GeorgeTown and Parrys Corner. But it was not impetus enough to revive its heritage precincts.

Alexander Tzonis and Liane Lefaivre — architectural theorists, authors and historians, known for their interdisciplinary approach towards design theory, history, and political critique, leaving a lasting impact on architectural pedagogy and practice — discuss this urban phenomenon in the context of globalisation: how rapid urban growth has been responsible for large-scale constructions at the cost of losing identity through the erasure of historic precincts.

Professor Lefaivre believes cities across climatic regions are beginning to look alike, resulting in a loss of climate-responsive and site-specific spatial identity.

Most often, heritage buildings give way to uniform, hermetically-sealed and air-conditioned constructions, which rarely respond to climate.

Sustainable architecture

However, in the face of adverse environmental conditions, cities across the world are recognising the value of heritage in a refreshingly new context. Medieval structures often reveal significant cultural and climatic features that hold lessons for responding to inclement weather patterns, whether urban heat or incessant monsoons.

Vernacular architecture, with its shade and natural ventilation elements, creates a cooler micro-climate.

For instance, the shaded thinnai — a semi-open transitional space — subdues the harsh effect of the sun. In the past, it facilitated a communication between the street and home, embodying a spirit of hospitality for visitors and travellers. These elements manifested the idea of close-knit urban communities and festivals. Can these heritage elements reveal insights for the design of carbon-zero cities of the future?

Lessons from Kochi-Muziris Biennale

Aspinwall building in Fort Kochi.

Aspinwall building in Fort Kochi.
| Photo Credit:
The Hindu Archives

The two aspects of ‘celebrating urban life’ and ‘climate-friendly design’ are intrinsically linked. Transcending conventional notions of heritage, the Kochi-Muziris Biennale (to be held from December 12, 2025 to March 2026) is an incredible example of how a medieval heritage town was transformed into a lively cultural art biennale with the support of the Kerala government. Medieval Kochi and Muziris are precincts with unique histories. The reimagination of the heritage precinct by Bose Krishnamachari — co-founder of Kochi-Muziris Biennale and recipient of Lifetime Fellowship Award from Kerala Lalit Kala Akademi — along with a group of artists, architects, filmmakers and citizen groups, was serendipitous.

The revival of Durbar Hall, Aspinwall and several other heritage precincts in Fort Kochi provided a new vision to an old town. Heritage homes were converted into homestays, cafes, art galleries and spaces for youth to host films and exchange ideas. The Biennale endeavoured to be open to all citizens, creating a newfound way of inhabiting the city. Sensitively conserved heritage dwellings, such as Durbar Hall, and other buildings enabled young artists to exhibit their works. 

Design Ashram, Kozhikode

Design Ashram in Kozhikode.

Design Ashram in Kozhikode.

Located on Gujrati Street in Kozhikode, Design Ashram reimagines a heritage home of an erstwhile joint family as a vital co-creative community space. The central courtyard, anchored by a peepul tree, hosts cultural events. The growing tree is a silent reflection of time. A backpacker’s hostel, co-working spaces, library and art gallery provide a forum for young artists, architects and designers. It’s a space for travellers to exchange narratives and experiences. The inward space also provides  autonomy and freedom to express thoughts. Film screenings, book readings and theater shape this vibrant yet fragile community. Technical and engineering expertise not only extended the structure’s life but also revitalised its spatial character. Brijesh Shaijal — director and principal architect who set up Design Ashram — introduced steel reinforcements, carefully harmonising them with the spirit of the 150-year-old place.

Reuse of heritage buildings

The House of Mangaldas in Ahmedabad.

The House of Mangaldas in Ahmedabad.

The blue city of Jodhpur has seen the adaptive reuse of heritage buildings for new functions. It’s an intuitive response to preserving heritage homes while meeting contemporaneous needs. Meanwhile, in Ahmedabad, traditional dwellings, havelis, and pols (traditional clustered neighborhoods with shared walls, community gates, and heritage wooden havelis) remain a vital part of the modern city. It often sustains indigenous craft communities that constitute the intangible heritage of the city. The House of Mangaldas is an archetypal intervention where a haveli has been reimagined. Built in the early 1920s by a textile owner in Ahmedabad, the haveli was transformed into a cafe, hotel, serviced apartment, and a design studio with a craft shop. Such projects are often community-based and reveal architecture’s potential to shape the re-imagination of urban spaces.

Alternative purposes

Metropolitan Development Authorities could evolve more appropriate heritage guidelines and regulations to revive heritage buildings for contemporary youth needs: vocational training, filmmaking, art, café-libraries, theater, science galleries, research, and scriptwriting workshops, and other educational and aspirational needs.

Homestays in heritage homes can provide housing to visiting scholars and artists. The intent is to provide sustainable frameworks that are practical and recognise the economic context.

The Connemara Public Library, Chennai. 
Photo: R.Ragu

The Connemara Public Library, Chennai.
Photo: R.Ragu
| Photo Credit:
R. RAGU

The UNESCO World Heritage Convention recognises that heritage precincts have historically been overlooked as sustainable architecture, despite their environmental, cultural, and economic contribution.

The 2030 Agenda by the United Nations recognises the role of heritage in sustainable development and its universal value.

A holistic programme of revival of heritage precincts — in this context, George Town, Triplicane, and other areas — provide a potential to rejuvenate urban life, while addressing urban heat and monsoons. Several nations have recognised the economic impetus, and are providing a sustained creative livelihood to craft communities and allow a social cohesion. The intangible value of these precincts contributes to urban renewal and provides individual families a new lease of livelihood with support of the government and policies. One such example is the revival of heritage precincts in Rajasthan’s towns. It has demonstrated resilience, addressing natural disasters, heatwaves, and other risks with minimal investment. Beyond cultural renewal, the appropriate revival of heritage—whether in Tamil Nadu, Madhya Pradesh, or Rajasthan—has shown how towns across India demonstrate pragmatic resilience. They address natural disasters, heatwaves, and other risks through cohesive adaptation to the local climate.

The writer is an architect, academician and the founder of Artes Roots Collaborative.

Home & Garden

Dress up tangerines for Diwali

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Wax flowers in tangerines converted into vases.

Wax flowers in tangerines converted into vases.
| Photo Credit: Rosella Stephen

For four years now, Kamna Vohra and Vaishnavi Reddy have been creating floral wonderlands in Chennai and Hyderabad. Having met at their children’s school, it took the slow-living vibe of the pandemic years and the need to find oneself to result in Iris Lane. Today the duo works with dahlias, peonies, and native blooms to create bespoke floral settings for events, home decorations, and everyday use.

Vohra, a banker turned florist, had previously founded ‘Life A Party’, which specialises in tablescapes. Reddy, an art and flower enthusiast, joined her soon after. Their brand name takes after the flower that symbolises faith and courage, a reminder of their journey so far. “Since childhood, my grandmother and I used to celebrate Bathukamma (a Hindu flower festival) together in Hyderabad and the name Iris Lane also came from this memory,” adds Reddy.

The founders of Iris Lane, Vaishnavi Reddy (left) and Kamna Vohra.

The founders of Iris Lane, Vaishnavi Reddy (left) and Kamna Vohra.
| Photo Credit:
Special Arrangement

Using decadent roses that have been gently opened up and unusual varieties like wax flowers, these women build on themes like Van Gogh’s ‘Sunflowers’, tutti frutti, ice cream, and Amalfi. They are equally at ease with traditional arrangements featuring jasmine, coconut leaves and brassware. The friends say they enjoy home decoration projects the most as it helps them ideate while factoring residents’ daily lives and interests. Subscriptions start from ₹ 4,000. Sourcing from Ooty, Pune, Uttar Pradesh, and flower farms across the country, the anthophiles get very busy during Diwali. Clients prefer red and white arrangements using local Indian blooms like amaranthus, chrysanthemum buttons, and baby’s breath during this season, they say. “Recently we were requested to use sunflowers in an arrangement as well,” Vohra shares. She shares some tips for people who want to go beyond the usual jasmine, marigold, lotus and tuberose this season:

1. Coconut inspiration: Sometimes it is not just about the blossoms on the table. Tablescaping could include accents such as miniature parrots fashioned from coconut leaves, oranges that double as vases, luscious pomegranates and even coconuts as props. “We had an ice cream-themed birthday event where we used ice cream sundae glasses and carnations to create a sundae structure as the centrepiece,” adds Reddy.

Tablescaping at Good Earth, Chennai.

Tablescaping at Good Earth, Chennai.
| Video Credit:
Rosella Stephen

2. Take it outdoors: With the Chennai weather getting more tolerable for outdoor events, impromptu picnics are gaining popularity. “We have entire picnic arrangements, from cushions to mats that complement the flower arrangements,” says Vohra.

Outdoor picnic setup by Iris Lane.

Outdoor picnic setup by Iris Lane.
| Photo Credit:
Special Arrangement

3. Foliage surprise: Teaming foliage like lepidium virginicum or virginia pepperweed with wax flowers is an apt decor during winters. Cymbidium, or boat orchids, tulips, and hydrangeas are some of the other season favourites around this time.

4. Longevity: Local flowers stay fresh longer. Spraying them with water twice a day and changing the still water every day will help. Considering the weather in both Chennai and Hyderabad, flowers like sunflowers, chrysanthemums, and lilies that last longer are in more demand.

Monthly subscriptions from 4,000.

Details on Instagram: @irislanechennaihyd

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Building skinny homes – The Hindu

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From Tokyo to New York, Amsterdam to Toronto, the design of a Skinny House is a statement of triumph. Often there’s a colourful history, like the narrow Spite House from 1800s Boston, a result of a spat between two brothers over unequal land division. For both architects and residents, it’s a curiously satisfying experience to extract the most out of a limited space through vertical exploration. In congested Indian cities, with cumbersome plot offerings, could this be a solution? The emphatic answer is “No” from architects we spoke to, who concur that narrow home designs emerge from plot restrictions, rather than proving good solutions for crowded cities.

Yet, narrow house designs have paved the way for amazing innovations, both in India and globally, as architects get tremendously creative with such constricted plots to overcome the prime challenges of user circulation, cross ventilation, light and privacy.

A return to traditions and nature

The Indian narrow home is created around a central well that resonates with the haveli or aangan in North India and the nadumuttam in Kerala. However, these traditional devices are not a conscious effort by the architect to integrate vernacular features into a modern imprint: rather, they are responses to plot constraints, in relation to the local climate and Indian ethos.

The Breathing Wall Residence: a view of the central court from below.

The Breathing Wall Residence: a view of the central court from below.
| Photo Credit:
Special arrangement

The Breathing Wall Residence, Thrissur

Completed in 2015, The Breathing Wall Residence by LIJO.RENY.architects in Thrissur was conceived as a 6x16m footprint in a 4.10 cent plot, wedged between a private road, a public road and houses on the other two sides. The 2,200 sq.ft. house, developed as a prototype for narrow plots is a multiple award winner.

Architects Lijo Jos (right) and Reny Lijo

Architects Lijo Jos (right) and Reny Lijo
| Photo Credit:
Special arrangement

Architects Lijo Jos and Reny Lijo created a landscaped skylight atrium, which works like a courtyard space between the east and west wings, bringing in ample light. Every room has air vents and the central skylight heats up the air, forcing it to rise to the top, constantly circulating a breeze. Green vegetation unfolds in layers and the space evolves naturally around the central well. “We are taught how to do these tricks,” laughs Lijo when I ask him about his clever use of biophilic design — the increased connectivity to nature by design.

The Breathing Wall Residence: a bulbul is nesting in the central court.

The Breathing Wall Residence: a bulbul is nesting in the central court.
| Photo Credit:
Special arrangement

While The Breathing Wall Residence was a mid-segment project, LIJO.RENY took creative licence to play around the budget to evolve an unconventional design. Lijo and Reny say, “Right from the project brief, we were aware this challenging context requires extraordinary interventions.” Innovative measures such as perforated Corten Steel screens, turned out to be a lifesaver — lightweight yet robust for tropical weather, offering security, privacy and aesthetics. The screens cut off the chaos of the street and create dynamic dappled light attracting even bulbuls through the perforations, to build their nests in the courtyard’s bamboo.

The Breathing Wall Residence: a bedroom on the second floor.

The Breathing Wall Residence: a bedroom on the second floor.
| Photo Credit:
Special arrangement

Narrow glass house, Toronto

Meanwhile, in Canada, a much-touted apartment in downtown Toronto is merely 6’6” wide at the bottom, the widest being 7’3” at the top. This narrow house with a full glass front is built on the site where an 1880s single-storey house once stood. The newly built home owned by a couple is 1,400 sq.ft. with multiple levels (five, including sub-levels). On a YouTube video, the kitchen appears large with the innovative use of high ceilings and thoughtful appliances. There’s even a backyard and an attic. Wood in plenty and exposed pipes give the space a nautical feel of a boat or a tree house with a winding stairwell through its puzzling spaces.

Slender House, New Delhi

Slender House’s building elevation.

Slender House’s building elevation.
| Photo Credit:
Special arrangement

Compare this to an Indian brief where even if the house is narrow, it still needs to function as a familial space. Shortlisted in the World Architecture Festival 2024, Slender House by Delhi-based Space Architects is an unusual four-storey home on a 6-metre-wide x 16-metre-long plot in North Delhi’s Derawal Nagar.

Slender House: skylights on the second floor.

Slender House: skylights on the second floor.
| Photo Credit:
Special arrangement

For lead architect Kapil Aggarwal, creating a house with soul and connectivity for the family of five, was prime. “The family’s roots to the place were very deep and it had to reflect their culture and values. They wanted a happy house.” This kind of intertwining of spaces creating intimate connections is a prominent feature in Slender House, which has a total built up area of 6,550 sq.ft. Says Aggarwal, “We don’t actually see individual floors happening.”

Slender House: a central view.

Slender House: a central view.
| Photo Credit:
Special arrangement

By design, narrow houses act like containers that foster bonds between the people who live there. In both Breathing Wall (18 ft. width) and Slender House (20 ft. width), the architects have chosen to demarcate along the length, making two unequal halves, one bay for facilities and the other for living spaces, which progress from common spaces to private spaces as we move inwards and up. As the minimum width does not permit as many walls, moveable partitions and staggered heights create the illusion of varied spaces. In the case of LIJO. RENY’s Breathing Wall, a movable partition on the second-floor bedroom allows it to transform into a look-over balcony with a handrail. Aptly placed mirrors reflect the green, giving a sense of infinity.

Architect Kapil Aggarwal

Architect Kapil Aggarwal
| Photo Credit:
Special arrangement

In the case of Slender House, SPACES Architects adhered to the client’s budget by using local materials, focusing on cost-efficient yet high-quality materials. At ₹6,500 per sq.ft. (a typical home cost is between ₹4,500 and ₹8,000 per sq.ft.) Slender House’s unique aesthetic appeal is because of the customised design, right up to ceiling elements, furniture and lighting. Says Aggarwal, “This attention to bespoke detailing and the use of high-quality materials significantly added to the overall expenses.”

Slender House: staircase view.

Slender House: staircase view.
| Photo Credit:
Special arrangement

Marian Engineering College, Thiruvananthapuram

“Circulation is the main problem while designing narrow buildings,” says Srijit Srinivas based out of Thiruvananthapuram. “Residents may pass a bedroom to get to a kitchen, for instance.” The award-winning architect, who designed Narrow Brick House (15 ft. width) has been commissioned for several complex projects with plot constraints. Early in his practice, in his design for Marian Engineering College Institution, for a 30-metre wide building, Srinivas created an internal well that allowed users to see across floors, and which made the experience of the space light-filled and expansive.

The corridor at Marian Engineering College.

The corridor at Marian Engineering College.
| Photo Credit:
Special arrangement

Marian Engineering College

Marian Engineering College
| Photo Credit:
Special arrangement

Flatiron, New York City

Designs for tight and awkward plot considerations consistently prove the famous principle, ‘constraints foster creativity’. The 1902-built Flatiron in New York City, designed by famous Chicago architect Daniel Burnham, is today a national icon. The fourth most-loved building in the U.S., the Flatiron has 22 floors and is 6.5 ft at its narrowest end and 87 ft at the wider side.

The historic Flatiron building.

The historic Flatiron building.
| Photo Credit:
Getty Images/istock

By necessity, Japan has been a forerunner in the design of minimalist homes. In Tokyo, high land taxes forced the development of narrow plots to engender such ‘eel’s nests’, shaping architecture, which in turn shapes lifestyles. The 1.8 Metre House by YUUA in 2012, for a couple and two cats, with a wide-open glass front and floors of floating levels of rough textured wood makes an impactful presence in a dense Tokyo neighbourhood.

Row House, Osaka

Tadao Ando’s 1976 Row House in Osaka 

Tadao Ando’s 1976 Row House in Osaka 
| Photo Credit:
Flickr

In times that urgently require sustainable practices, the power of architecture to transform societal values is critical. In this respect, Japanese architect Tadao Ando’s 1976 Row House in Osaka was pioneering in how architecture can define how we live and experience spaces. A meditative space with concrete walls, open only to the sky, the house encourages introspection and minimalist pathways.

Yet Delhi-based Aggarwal says most of his NCR clients desire luxurious multi-storey homes with at least three bedrooms per floor. The opportunities of exploring small space design are rare. His Slender House, which stands out in the locality and has been featured in publications worldwide, calls us to ask: can a trend for such narrow yet distinctive homes go on the rise?

The writer is a brand strategist with a background in design from SAIC and NID.

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The 2024 Diwali home edit

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It was Le Corbusier who said that “the home should be a treasure chest of the living,” but we’d like to add some riches of the material variety, too. Especially as it is the season when the goddess of wealth is welcomed into homes across the country. Ahead of Diwali, here’s looking at linen, candles and more to give you that house-proud glow.

Think glass and brass | Good Earth

Lanterns and candle stands

Maximalism can seem the way to go this season, but there’s also a case to be made for a more minimal approach. Good Earth has simple rose-tinted glass candle stands — featuring a bowl shape and petal-like designs to create a ‘blooming’ effect — iron latticework lanterns for the living room, with brass plating, and even a statement Valley of the Flowers centrepiece cast in sustainably sourced, recycled brass. ₹2,800 onwards at goodearth.in

Dealing the best card | Onset Homes

Runners and coasters

The Kolkata-based soft furnishings studio’s newest collection, Jashn, showcases a colourful interpretation of a taash (card) party. Their range of cushion covers, runners, and coasters uses velvet in a colour palette with rich emerald greens, maroons, and creams. Motifs such as clubs, diamonds, the Queen of Hearts, and the King of Spades, feature heavily. ₹800 onwards at onsethomes.com.

Phoenix on the table | FA Home

Bed and table linen

Indian craftsmanship strongly inspire this Gurgaon-based textile furnishing brand’s range of bed and table linen. Their current collection spotlights Parsi Gara, with embroidery, 3D appliqué and zari embellishments highlighting nature inspired motifs such as peonies, lotus and the phoenix. Available in linen, cotton, and cotton satin fabrics. ₹1,400 onwards at shopfahome.com.

Curated with a cause | Baro Market

Tealight holders and themed candles

Looking outside ‘just interiors’, Baro Market works with artists, craftsmen and designers from across India. Alongside apparel, textiles, and folk art, their vast home section — with linen, tableware, rugs, and décor pieces — offers unique picks. We have our eyes on their range of whimsical candles. Find kooky firecracker themes, delightfully realistic-looking cocktail candles, and poker-themed ones on their website and their Mumbai store. Also browse their selection of lanterns, brass tealight holders, and exquisitely detailed shola flowers. ₹500 onwards at baromarket.in.

Amulets for the house | Vaishali S Art Deco.

Textile art and signature lamps

Vaishali Shadangule’s eponymous fashion label also makes statement objets d’art. Crafted from leftover fabric and repurposed material from her couture line, Shadangule reimagines them as textile art, copper light fixtures, mogra curtains, and her signature lamps. Her new collection, Ta’wiz, plays on the concept of an amulet worn for protection — using corded and cloth ‘amulets’ to create chandeliers, lamps, quilts, cushions and tapestries. ₹18,000 onwards; available in stores and on vaishali-s.com.

Metallic highlights | Nicobar

Candle stands and tealight holders

The homegrown brand never fails to delight. Add details to your festive table with their Gudhal candle stands and tealight holders. Inspired by the hibiscus flower, and crafted in iron with a gold or bronze finish, these are perfect to create multiple visual levels for you table setting. ₹1,450 onwards at nicobar.com.

Breathe free | Ugaoo

Planters and air-purifying plants

If you’d rather spend on improving your quality of life, online garden store Ugaoo has something for you. Their ‘Sajaao with Ugaoo’ campaign has curated hampers pairing traditional Diwali gifts such as sweets, dry fruits, and brass diyas, with planters, air-purifying plants, and potting mixes. So, why not gift yourself a touch of green? ₹1,099 onwards at ugaoo.com.

An alabaster approach | Shades of India

Cushions and curtains

Textured textiles are a signature of the brand, from embroidery to printing with foil. Their new range of furnishing fabrics, Cedar, includes bedding, cushions, table linen, and curtains inspired by nature and organic forms. Cotton slub cushion covers are decorated with zardozi embroidery, while handwoven throws are accented with bands of mashru weave and fuchsia tassels. ₹3,000 onwards at shadesofindia.com.

No place like home | H&M Home

Candles and platters

The global retail giant’s Festive’24 collection can take you from Diwali to Christmas. Round candles, golden candelabras, plush throws, sleek serving platters, and brightly coloured cushions in reds, yellows and oranges make for cheery additions to your décor. The collection, from ₹249 onwards, is available in stores and online on hm.com, Myntra and Ajio.

Call of the night | Freedom Tree

Rugs and lampshades

This Mumbai design studio takes inspiration from the nocturnal side of nature for Moonflower, their autumn-winter festive collection. Phases of the moon, human forms farming night-blooming flowers, moths and other creatures of the night tell evocative tales in this collection of cushions covers, upholstery fabric, rugs, lampshades and more.

The tableware especially, in shades such as Luna blue, Saturn sand and astral green, is stunning. ₹520 onwards at freedomtree.in.

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