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A maximalist walks into a rental

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A room devoted to the Ritmuller Upright white piano with a unique artwork titled ‘The Mothership’ by Gregory Lent.

A room devoted to the Ritmuller Upright white piano with a unique artwork titled ‘The Mothership’ by Gregory Lent.
| Photo Credit: Special arrangement

How does one convert a standard beach house in Chennai into what is seemingly an English cottage and that too on a limited budget? And what if it is a rental property to boot, where major structural changes are not permitted?

Arti Muthiah and the XXXL bookcase in the background.

Arti Muthiah and the XXXL bookcase in the background.
| Photo Credit:
Special arrangement

Interior designer Arti Muthiah seems to have all the answers, having managed the same within two months last year. In fact, when we heard she was vacating said residence soon, we requested a tour. This former Dubai resident can effortlessly change the vibe of any living space, and some tips for a new generation of renters wouldn’t hurt, we reckoned.

A view of the dining room with an artwork titled ‘A Boddhi tree’ by Gregory Lent.

A view of the dining room with an artwork titled ‘A Boddhi tree’ by Gregory Lent.
| Photo Credit:
Special arrangement

On a quiet afternoon spent cruising along the coast, Muthiah’s three-bedroom house in Injambakkam is easy to find. The cheery doormat featuring Tintin and Snowy hints at the ‘Atlas of Memories’ inside. This is a customised bookcase in the foyer, stacked with everything from The Adventures of Tintin (understandably) to titles from George R.R. Martin, beloved cookbooks, and artefacts collected over the years. As we begin browsing, it is evident that Muthiah has carefully designed this residence she calls the Curator’s Homestead to be a ‘home’ for herself and her teenage daughter.

Gold pendant lamps at the entrance.

Gold pendant lamps at the entrance.
| Photo Credit:
Special arrangement

A dramatic entrance

Let’s begin with the dramatic entryway to the 2,400 sq.ft. abode. By colour-blocking blue and white paint, she has created two distinctive areas. Both are given a facelift with a crisp coat of white, layered with moldings (it appears she is partial to them) and wall detailing for heightened definition. The painted ceiling (another handy tip) in dark blue, with gold pendant lamps, creates drama and depth.

The foyer’s blue ceiling and white wall extends into the living room.

The foyer’s blue ceiling and white wall extends into the living room.
| Photo Credit:
Special arrangement

The foyer reflects Muthiah’s ability to create distinctive spaces without any structural changes. The original foyer that opened directly into the dining room, allowing the diners no privacy, was updated with a temporary partition system. “This also allowed me to position my XXXL bookcase, which is the focal point of the foyer,” she explains.

A view of the living room from the foyer.

A view of the living room from the foyer.
| Photo Credit:
Special arrangement

Ceilings of calm

The foyer’s blue ceilings and white walls extend into the living room and the adjacent piano room. “Ceilings are the most underrated design elements of a room,” says Muthiah, noting how her blue ceilings create a sense of calm and continuity throughout the house. Her eclectic collection of paintings provides pops of colour on the walls and a cohesive colour scheme across her home. The room has been intentionally designed for long conversations and languid afternoons. And if you are reminded of a plush ‘90s cigar lounge, put it down to Muthiah’s maximalist approach to design. A sienna Chesterfield and a reupholstered IKEA sofa here are complemented by starkly unique artworks by S. Nandagopal, Gurudas Shenoy and K. Muralidharan. A single leather armchair by The One, Dubai, a custom-made coffee table, a chandelier and nesting tables from Dubai and a concrete side table from Objectry prove that Muthiah prioritises comfort and functionality but with a stylish narrative.

An eclectic collection of paintings provides pops of colour on the walls of the living room.

An eclectic collection of paintings provides pops of colour on the walls of the living room.
| Photo Credit:
Special arrangement

Inside the piano room

Her favourite room, and ours, is the one housing the Ritmuller Upright white piano. The walls here are a dominant blue, a dramatic backdrop for a unique artwork made of recycled wood by Gregory Lent titled The Mothership. Here gold-coloured figures are assembled under a spaceship, and appear to be emerging from the wall itself. “The Mothership in the piano room resonates wherever I put it, even while we were living in Dubai,” Muthiah observes. The classic IKEA Billy bookcase holds its own, alongside a retro radio cabinet.

About second chances

The dining room, at the back of the house, features a contrasting ceiling in burnt terracotta, bringing warmth to the west-facing side of the house. A Boddhi tree by Lent, restored by him almost a decade-and-a-half later, along with quirky sculptures, makes the dining room feel like a warm hug. When Muthiah moved back here from Dubai early last year, many of her belongings arrived damaged in transit. They were repurposed or upcycled. A bar table has been reimagined as a Kintsugi-inspired piece, where the broken parts were repaired with a touch of gold, creating something entirely new and beautiful. “It’s all about giving things a second chance,” says Muthiah, her eyes lingering on this table as she speaks.

Plantation chairs on the verandah in the garden.

Plantation chairs on the verandah in the garden.
| Photo Credit:
Special arrangement

On to the next

We step into the tidy garden, where the verandah has her grandfather’s plantation chairs, repainted an inviting green. This home is where sentimental tchotchkes, refurbished teak furniture and modern accents from IKEA all have a place. There are fun pieces from Paradise Road Sri Lanka and from her many adventures, be it in a small town in Italy, or a hidden gem in France, or a bustling market in Dubai. Muthiah believes that a rental property can feel just as personal and permanent as a purchased home. “Designing this property has been a creative challenge, but also incredibly fulfilling,” she concludes, soaking up every moment here before she has to return it in its original state to her landlord.

The Chennai-based writer is a screenwriter and filmmaker.

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Home & Garden

Managing Chennai monsoon

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The city requires a new imagination of its relationship to the unpredictable showers, the sea, and its water reservoirs. Here are five takeaways from the recent rains

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Home & Garden

Packaging made from coffee husk and banana fibre

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Rhea and Rishika, founders of The Mend Packaging

Rhea and Rishika, founders of The Mend Packaging
| Photo Credit: Special Arrangement

By repurposing over 28 types of waste, ranging from coffee husk and cardboard to sugarcane bagasse and even Ayurvedic tablets, The Mend Packaging, a sustainable packaging company based in India, managed by Rhea Kothari and Rishika Reddy, is crafting unique gift boxes. The team works from New York and Hyderabad. That is not all. The company is also experimenting with banana leather, made from fibres extracted from banana crop waste, to create eco-conscious packaging solutions.

Rhea Kothari, who holds a Bachelor’s degree in Economics with a double minor in Psychology and Sociology from Columbia University, leads marketing, sales, and programme management at The Mend Packaging. Before founding the company, she worked at a startup accelerator in New York, followed by a stint in her family’s jewellery business where she juggled multiple roles and gained first hand experience in running a small enterprise. “I was interested in implementing greener practices in both my personal and professional life. I had pushed for sustainable packaging in our family business well before The Mend began, and eventually started exploring ways to take it further,” Rhea shares.

Works of The Mend Packaging

Works of The Mend Packaging
| Photo Credit:
Special Arrangement

Rishika Reddy oversees management, operations, and finance. Prior to co-founding the company, she worked with an electric transportation solutions provider as part of the CEO’s office, where she gained insight into cross-functional operations in a startup environment. “Packaging felt like a natural progression,” she explains. “My family has been running a printing press for over four decades, so it’s something I’ve grown up around.”

Some of the commonly used materials in their packaging include recycled corrugated board, bioplastic, and rigid board. Rhea elaborates, “Corrugated boards, made from recycled dry waste, are ideal for logistics and shipping since they’re designed to withstand wear and tear. Bioplastic is derived from a biopolymer of corn starch. Our rigid board is constructed from layered recycled material and offers a more premium finish.”

Before onboarding any new material, the company follows a stringent process. It starts with identifying emerging materials in the market and assessing their foundational attributes — shelf life, printing capabilities, storage requirements, production timelines, and potential “side effects” that could affect the product it is meant to house. Timelines vary depending on the material’s viability.

These innovative efforts are steadily pushing the boundaries of what can be repurposed from waste—and reimagined as design-forward, sustainable packaging.

Why terraform and banana fibre?  

Terraform and banana fibre have long been recognised as innovative materials across various industries, but their integration into packaging has been a complex journey, one that demands specialised expertise. Rhea explains, “At The Mend Packaging, we’ve been able to adapt these materials specifically for packaging solutions with the help of expert material innovators.”

“Our research and development efforts conducted in close collaboration with material scientists, polymer experts, and packaging technologists have been instrumental in evolving terraform and vegan leathers into commercially viable packaging materials. The transition from concept to market-ready product has involved extensive testing, prototyping, and iterative refinement, ensuring these materials are not only sustainable but also practical and scalable for broader industry adoption,” she adds.

Some of The Mend Packaging products

Some of The Mend Packaging products
| Photo Credit:
Special Arrangement

While recycling does consume water and energy, the overall benefits often outweigh the costs when compared to producing materials from virgin resources, Rhea explains. She breaks down the basics. “Recycling reduces the need for raw material extraction, which means less mining, logging, and drilling — activities that are often destructive to ecosystems. The energy and water used in recycling are significantly lower than what’s required to process raw materials. It also helps reduce landfill waste, which not only saves space but also cuts down methane emissions from decomposing materials, which is a major contributor to climate change. Also, recycling supports a circular system where materials are reused, reducing our reliance on finite natural resources and fostering long-term sustainability.”

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Home & Garden

Curiosity shop in the present

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With a fusion of vintage and sustainable decor, Rare Lily opens in RA Puram 

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