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A look inside the UH-3H helicopter at Visakhapatnam’s new naval aviation museum

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Once a soaring sentinel over the seas, the UH-3H helicopter is ready for its next mission. Not in the skies this time, but as a permanent museum exhibit that narrates a gripping chapter of India’s naval aviation history, offering visitors a rare opportunity to step inside and experience the world of naval aviators.

The Indian Naval Air Squadron 350 de-inducted the last three operational UH-3H helicopters last year. One of them was placed as a museum exhibit in Visakhapatnam. Situated at the Beach Road, the soon-to-be inaugurated UH-3H Helicopter Museum is the latest addition in the maritime museum circuit of Visakhapatnam, the only city in India to have five maritime museums within a 500 metres proximity.

The museum, which is expected to be inaugurated shortly during Andhra Pradesh Chief Minister Nara Chandrababu Naidu’s visit to the city, now joins a distinguished line-up of defence-themed attractions in Visakhapatnam. Just a short walk away, visitors can explore the INS Kursura Submarine Museum, a decommissioned submarine turned immersive exhibit; the TU-142 Aircraft Museum, showcasing a maritime reconnaissance aircraft; and the Sea Harrier Museum, home to the iconic naval fighter jet. Together with the Visakha Maritime Museum – which displays models of naval ships in various sizes and the glass dome of the Pakistan Naval Ship (PNS) Ghazi – these institutions form a compelling corridor of military history along the coast.

Set to open its doors to the public soon, the museum will showcase the legacy of the multi-utility UH-3H helicopter, a workhorse of the Indian Navy that has played a crucial role in humanitarian assistance and disaster relief operations (HADR) and Search and Rescue (SAR) Operations during natural disasters or emergencies at land/sea.

Naval personnel fixing the interiors of UH-3H helicopter, which will soon be inaugurated as a museum at the Beach Road, adding to the maritime museum circuit at the Beach Road in Visakhapatnam.

Naval personnel fixing the interiors of UH-3H helicopter, which will soon be inaugurated as a museum at the Beach Road, adding to the maritime museum circuit at the Beach Road in Visakhapatnam.
| Photo Credit:
KR Deepak

Overlooking the Bay of Bengal, the museum complements Visakhapatnam’s other iconic naval exhibits, which are living galleries of India’s maritime and defence prowess.

A captivating history

Seventeen years of history lies within the new UH-3H museum, which aims to preserve and display historical information related to the helicopter. Managed by the Visakhapatnam Metropolitan Region Development Authority, the museum offers an engaging experience for visitors of all ages.

An inside view of the  UH-3H helicopter museum complex, which will soon be inaugurated at the Beach Road, adding to the maritime museum circuit at the Beach Road in Visakhapatnam.

An inside view of the UH-3H helicopter museum complex, which will soon be inaugurated at the Beach Road, adding to the maritime museum circuit at the Beach Road in Visakhapatnam.
| Photo Credit:
KR Deepak

The entryway from the glass facade opens into a vibrant, well-lit gallery where striking visuals and detailed displays trace the journey of the iconic helicopter. An audio-visual presentation adds a dramatic touch to the experience, transporting visitors into the cockpit of a naval aviator mid-mission. The entryway opens into a spacious area where the UH-3H helicopter stands tall, inviting visitors to step inside and explore its powerful features up close. The walk-through gives a glimpse of the cockpit and the crew compartment, shedding light on the triumphs and challenges of naval aviation.

Stellar past

The UH-3H helicopter was developed by Sikorsky in the late 1950s and became a pioneering force in naval aviation, especially in anti-submarine warfare. The induction process of the UH-3H helicopters into the Indian Navy began in 2007, with the signing of a contract between India and the United States of America for the purchase of INS Jalashwa, along with six Seaking helicopters (UH-3H).

Before being brought to Indian shores, the versatile helicopters were extensively used by the US Navy since the Vietnam War and were last flown during the relief operations for hurricane Katrina in 2005. These robust machines have an endurance of three hours and 45 minutes with a top speed of 120 knots. Post their active service in the US Navy, six of these aircraft were refurbished in Atlanta. The rebirth of the magnificent flying machines was complete as they were placed on the deck of INS Jalashwa, steaming towards its new home, Visakhapatnam. It was inducted into the Indian Navy on March 24, 2009 at INS Dega, Visakhapatnam.

The aircraft was named after the Indian crane sarus, embodying strength, grace and vigilance. With its remarkable capability to navigate stormy seas and rescue those in peril, the UH-3H helicopter became more than just a machine. It became a lifeline, bringing hope to those in their moments of despair.

Personnel of Eastern Naval Command setting up a Sikorsky UH-3H seaking helicopter to add to the maritime corridor on the Beach Road near TU-142 aircraft in Visakhapatnam.

Personnel of Eastern Naval Command setting up a Sikorsky UH-3H seaking helicopter to add to the maritime corridor on the Beach Road near TU-142 aircraft in Visakhapatnam.
| Photo Credit:
KR Deepak

On June 28 2024, the Indian Navy bid farewell to the UH-3H helicopter after 17 glorious years of service. Vice Admiral Sameer Saxena, Chief of Staff, Eastern Naval Command, in his farewell speech on the occasion of de-induction ceremony of UH-3H helipcopter said: “Over these 17 years, the UH-3H has been a symbol of hope for countless men, women and children. The squadron has undertaken numerous HADR missions within the State of Andhra Pradesh and neighbouring Odisha, which is prone to cyclonic storms and floods,” and added: “The legendary exploits of UH-3H will remain etched in our memories, inspiring future generations of naval aviators and personnel.”

Light and sound show

People watching the light and sound show depicting the 1971 India Pakistan war, sacrifice of defence personnel, and the role of Eastern Naval Command (ENC) at ‘Victory at Sea’, on the Beach Road in Visakhapatnam.

People watching the light and sound show depicting the 1971 India Pakistan war, sacrifice of defence personnel, and the role of Eastern Naval Command (ENC) at ‘Victory at Sea’, on the Beach Road in Visakhapatnam.
| Photo Credit:
KR Deepak

Visakhapatnam’s bond with the Indian Navy runs deep, with the Eastern Naval Command headquartered here. In a continuing effort to engage the public, the Navy also hosts a weekly light and sound show every Sunday at the Victory At Sea Memorial (a memorial constructed after the Indo-Pakistan war of 1971) on the Beach Road. Presented in English and Telugu, the show highlights the maritime strength and legacy of the Indian Navy, drawing both locals and tourists in large numbers.

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Boating launched in Sanna Kere in Yadgir

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Visitors taking a boat ride after the launch of the service at Sanna Kere in Lumbini Garden of Yadgir on Monday.

Visitors taking a boat ride after the launch of the service at Sanna Kere in Lumbini Garden of Yadgir on Monday.
| Photo Credit: SPECIAL ARRANGEMENT

The district administration, the Zilla Panchayat, the Tourism Department and Bengaluru-based Vinyog Ventures Private Limited have jointly launched boating facility at Sanna Kere, located in Lumbini Garden in Yadgir city.

MLA Channareddy Patil Tunnur inaugurated the facility on Monday.

“There are four types of water boat facilities in which visitors can travel. One each of kayaking, bumping, general and rafting boats are available for visitors. Visitors of all ages will find something to their liking,” Mr. Tunnur said.

Yadgir CMC Chairperson Lalita Anapur has said that it was the dream of citizens to travel in boats. “The dream has come true. The citizens should make use of the facility,” she said.

Assistant Director in the Tourism Department Ramachandra said that a tender will be floated to develop boat facilities in Mavinakere at Shahapur, Ibrahimpur Kere, Narayanpur Reservoir and Minaspur Kere.

Additional Deputy Commissioner Sharanabasappa Koteppagol was among those who participated in the inauguration ceremony.

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This Pride month we talk to tour groups that curate travels and experiences for the LGBTQ+ community

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This Pride month we talk to tour groups that curate travels and experiences for the LGBTQ+ community

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Sunrise in Siruvani: A peek into Tamil culture and Kongunadu cuisine

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The property is surrounded by lush greenery

The property is surrounded by lush greenery
| Photo Credit: Special Arrangement

The picturesque Western Ghats bathed in pastel pink hues at twilight, and an absolute calm form our first impression of Dvara Siruvani. Before we get to the property, which is an hour’s drive from the city, we stop by for a satisfying lunch at Rasanai with Kongu kozhi thanni rasam, a fiery chicken soup, followed by a line-up of chicken biryani, and the impressive Sivaji Nagar military hotel mutton chops, rounded off with mango pudding for dessert.

Western Ghats bathed in pastel pink hues. Shot on oneplus #frames of India

Western Ghats bathed in pastel pink hues. Shot on oneplus #frames of India
| Photo Credit:
K Jeshi

Once at Dvara, I sip my welcome drink and watch the mighty hills and the forests take on a many colours. There are 16 cottages that include mountain view, private infinity pools and garden view. Each cottage is named after native flowers likekonrai, vaagai, parijatham to name a few. I bow down to enter my cottage named Kurunji through an artistically carved door that once graced a Chettiar home in Karaikudi. Short in stature, such doors encouraged the tradition of bowing while entering a home to show its inhabitants respect and humility. A private garden opens into stunning views of the Western Ghats and copious waters of the Noyyal flowing into the Mundanthurai check dam. Heirloom furniture including a wooden poster bed, Tanjore glass paintings and aesthetic artefacts compliment the interiors. An infinity plunge pool adds to the luxury. 

 “The property was a bit of an accident,” recalls Vikram Mohan, chairman of Pricol group that runs Dvara. “The property evolved from a desiliting project to an outbound training centre with tents. Later, my wife Lakshmi and I developed Dvara as a labour of love. We both are collectors of South Indian antiquities for many years, from old Kanjivaram saris and Ravi Varma prints to old vengalapitalapathram, kadarams, thengaithuruvis and kavadis. Our bed runners feature paaavadai davani designs in multiple colours. Lakshmi’s collection of her grandmother’s saris became the beds’ backdrop. We celebrate all things South Indian, Tamil heritage and conceptualised the property as a throwback to visiting homes in villages complete with Kongunadu samayal.”

Every corner at the property unravels cultural memorabilia. Old utensils, South Indian antique artefacts, Tanjore paintings and enamelware peek through the common areas that have an old world charm. An antique chest at the reception is stunning.

 An infinity plunge pool adds to the luxury. Shot on oneplus #frames of India

 An infinity plunge pool adds to the luxury. Shot on oneplus #frames of India
| Photo Credit:
K Jeshi

 “Some of the urulis displayed bear the cross on them indicating that they have been used in Christian households to make payasam. We added details like ergonomically designed thinnai, oonjal, and vilakkumaadam to replicate village life. While the doors tell stories of humility and a method of self-defence, the AshtaMangalam mural is indicative of qualities one needs to have to lead a good quality life. There is abundant greenery and the entire landscaping credit goes to my wife. We added Pollachi rekla vandi, and terracotta horses (crafted by a potter from Tirunelveli) to the garden decor. It’s more like a virunthombal experience.”

At dinner time, Chef Arul and his team lay out fluffy idiyappamidlis and creamy chicken stew. After a round of sulaimani, we call it a day. At the crack of dawn, along with M Rajesh, an in-house naturalist, we walk past bougainvillea and jasmine blooms, yellow trumpet trees and Rangoon creepers with red flower clusters for a trek to the foothills of the Western Ghats. Along the way, we spot a purple sunbird, an Oriental darter sunbathing with its wings spread out on a tree top, while the colourful Indian Pita whistles away and the common hawk-cuckoo sings repetitively.

Short grain rice flavoured with betel leaves and fried garlic. Shot on oneplus #frames of India

Short grain rice flavoured with betel leaves and fried garlic. Shot on oneplus #frames of India
| Photo Credit:
K Jeshi

Lunch at Aarogyam, the in-house restaurant, showcases delicious Kongu cuisine. We try the aromatic Keeranur chicken biryani, bun parotta with Kongunadu mutton kuzhambu and vethalai poondu saadam, short grain rice flavoured with betel leaves and fried garlic. As a culinary anthropologist, Vikram has been studying the history of food of Peninsular India and that’s how he introduced Kongu cuisine.

“It’s all about the nuances of flavours. For example, betel leaf has a strong taste and how that imparts a dish or garlic when it’s slightly roasted without curry. In Pollachi mutton kuzhambu, the flavouring comes from drumstick used in the curry. In villages around Karur, there is sorakkai thattaipayir saadam eaten with vaalaithanduthayir pachadi,” explains Vikram adding that he also picked recipes like asari kozhi varuval, endemic to the region. “There is something called porial podi made with six ingredients like coriander seeds, fenugreek, dry chillies, channa dal, urad dal, and a hint of black pepper, coarsely ground. A pinch of asafoetida gives the umami flavour.”

After a relaxing foot massage at the spa, I sit by the thinnai and gaze at the mountains, content and happy

To know more, visit dvara.in or call 7339111222

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